Blur, Oasis and the rest kickstarted Britpop, Paul Weller found his stride again and they were all happy enough to come on the show and do what they do best and play live. When 'Later' started in 1992, British rock and roll was still in the doldrums and grunge ruled OK. One of the things LATER WITH JOOLS HOLLAND tries to do best is to spot those new bands as they emerge and put them on television. What Britain does best is breed new bands. I’d have liked to really see the band record Ghost, but “Montserrat” possesses some informational and entertainment value nonetheless. These will look very familiar to anyone who’s already watched the main collection of videos, as they show the same form of mimed studio work. The program fills out with studio videos for “Demolition Man”, “One World (Not Three)”, “Spirits In the Material World”, and “Every Little Thing She Does Is Magic”. Lastly, Holland speaks with Copeland about his drum kit and style. We get another jam with Holland, and Summers eventually joins in as well. He chats about how he came up with “Message” and we also meet “Brian”, his upright electric bass. Sting goes over the recording process and gives us insight into his songwriting. Summers offers a guitar demonstration that includes glimpses of “Message in a Bottle” with or with effects. Rather than focus on the recording of the album, we find separate sessions with Andy Summers, Sting, and Stewart Copeland.
#ONLY BUILT FOR CUBAN LINKS 199 FANART.TV TV#
Hosted by keyboardist and TV personality Jools Holland, the program starts with an introduction to the island of Montserrat and then gets to the band in the studio. "Police in Montserrat": 45-minute documentary of the band recording Ghost in the Machine, including four songs performed in Montserrat: Demolition Man, One World (Not Three), Spirits in the Material World, Every Little Thing She Does Is Magic